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Awangarda filmowa | seminarium prof. Davida E. Jamesa

Awangarda filmowa | seminarium prof. Davida E. Jamesa

lecture
📅 Date: 05 October 2017, Thursday

⌚ Start time: 17:00

📌 Place: Warsaw - Śródmieście dist., Instytut Kultury Polskiej, Uniwersytet Warszawski, ul. Krakowskie Przedmieście 26/28 (show on the map)
Rok Awangardy w IKP. Zapraszamy na dwa seminaria prof. Davida E. Jamesa (University of Southern California) o awangardzie filmowej.

4-5 października 2017, sala 5
wstęp wolny
seminaria odbywają się po angielsku (bez tłumaczenia)


• AVANT-GARDE CINEMA IN LOS ANGELES
środa, 4 października, godz. 17-19, sala 5

In cinema history, Los Angeles is almost completely identified with the commercial film industry: Hollywood. The power of this association has caused the neglect of the rich and varied traditions of avant-garde, radical, populist, amateur and other forms of non-commercial cinema the city has nurtured. The seminar will discuss these histories and illustrate them with selected films.


• AVANT-GARDE FILM AND ROCK 'N' ROLL
czwartek, 5 października, godz. 17-19, sala 5

Avant-garde film has often looked to other art forms for formal models as alternatives to the narrative feature: poetry, painting, and dance, for example, but especially music.

Until the early 1960s, jazz was the medium of reference for most of US culture, including painting, poetry and film. But since then, film has had a strong relationship with various forms of rock ‘n’ roll. The seminar will discuss the historical evolution of the relationship between film and popular music, and illustrate it with selected examples.


Prowadzący:
David E. James - profesor w School of Cinematic Arts University of Southern California w Los Angeles.
Światowej sławy badacz awangardy filmowej, autor między innymi:
• "Allegories of Cinema. American Film in the Sixties" (Princeton University Press, 1989)
• "The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles" (University of California Press, 2006)
• "Rock ‘n’ Film. Cinema’s Dance with Popular Music" (Oxford University Press, 2016).